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Classical concerts featuring
Lore Binon

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Quick overview of musician Lore Binon by associated keywords

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Upcoming Concerts

Concerts featuring Lore Binon in season 2024/25 or later

March 9, 2025
Artistic depiction of the event

Chez Maurice

Sun, Mar 9, 2025, 11:00
Zonzo compagnie, Revue Blanche, Benjamin Vandewalle (Stage), Lore Binon (Soprano), Kris Hellemans (Viola), Anouk Sturtewagen (Harp), Caroline Peeters (Flute), WIThWit - Erki De Vries (Scénographie), WIThWit - Freija Van Esbroeck (Scénographie), Frederik Neyrinck (Arrangements), Nina Lopez Le Galliard (Costumes)
After their acclaimed musical journeys Berberio on Berio and 3ACH on Bach, the chamber ensemble Revue Blanche and Zonzo Compagnie team up again for a new show, this time on Ravel.
Artistic depiction of the event

Chez Maurice

Sun, Mar 9, 2025, 16:00
Zonzo compagnie, Revue Blanche, Benjamin Vandewalle (Stage), Lore Binon (Soprano), Kris Hellemans (Viola), Anouk Sturtewagen (Harp), Caroline Peeters (Flute), WIThWit - Erki De Vries (Scénographie), WIThWit - Freija Van Esbroeck (Scénographie), Frederik Neyrinck (Arrangements), Nina Lopez Le Galliard (Costumes)
After their acclaimed musical journeys Berberio on Berio and 3ACH on Bach, the chamber ensemble Revue Blanche and Zonzo Compagnie team up again for a new show, this time on Ravel.
May 21, 2025
Artistic depiction of the event

The Rise / Ictus Ensemble

Wed, May 21, 2025, 19:00
Dirk Descheemaeker (Musician), Hanna Kölbel (Musician), Michael Schmid (Musician), Eva Reiter (Musician), Eva Reiter (Stage Director), Eva Reiter (Concept), Eva Reiter (Set design), Ruben Grandits (Narrator), Ruben Grandits (Performance), Lore Binon (Soprano), Amanda Barrio Charmelo (Dance), Nathan Felix-Rivot (Dance), Antoine Roux-Briffaud (Dance), Aure Wachter (Dance), Michiel Vandevelde (Concept), Michiel Vandevelde (Stage Director), Michiel Vandevelde (Set design), Augustin Müller (Sound design), Alexandre Fostier (Sound), Tutia Schaad (Costume design)
What would happen if humanity could pass through the gateway to the underworld and restart once again in another realm? Eva Reiter’s experimental opera »The Rise«, written on the basis of poems by the Nobel Prize Winner for Literature Louise Glück and staged by choreographer Michiel Vandeveldes, acts out this vision. Deaf actor Ruben Grandits, whose gestures are converted into intoxicating sounds via sensors on his hands, acts in the spotlight. As master of ceremonies, he directs the other people on the stage with his gestures and sounds. A new language, a new company and a new music emerge in the interaction of instruments specifically built for this purpose, electronically transformed sounds and the movements of the performers. The specially designed instruments visually transform movement into sounds. Music, dance and language merge into image and sound – »The Rise« is, consequently, equally accessible to deaf and hearing people.
May 22, 2025
Artistic depiction of the event

The Rise / Ictus Ensemble

Thu, May 22, 2025, 20:00
Dirk Descheemaeker (Musician), Hanna Kölbel (Musician), Michael Schmid (Musician), Eva Reiter (Musician), Eva Reiter (Stage Director), Eva Reiter (Concept), Eva Reiter (Set design), Ruben Grandits (Narrator), Ruben Grandits (Performance), Lore Binon (Soprano), Amanda Barrio Charmelo (Dance), Nathan Felix-Rivot (Dance), Antoine Roux-Briffaud (Dance), Aure Wachter (Dance), Michiel Vandevelde (Concept), Michiel Vandevelde (Stage Director), Michiel Vandevelde (Set design), Augustin Müller (Sound design), Alexandre Fostier (Sound), Tutia Schaad (Costume design)
What would happen if humanity could pass through the gateway to the underworld and restart once again in another realm? Eva Reiter’s experimental opera »The Rise«, written on the basis of poems by the Nobel Prize Winner for Literature Louise Glück and staged by choreographer Michiel Vandeveldes, acts out this vision. Deaf actor Ruben Grandits, whose gestures are converted into intoxicating sounds via sensors on his hands, acts in the spotlight. As master of ceremonies, he directs the other people on the stage with his gestures and sounds. A new language, a new company and a new music emerge in the interaction of instruments specifically built for this purpose, electronically transformed sounds and the movements of the performers. The specially designed instruments visually transform movement into sounds. Music, dance and language merge into image and sound – »The Rise« is, consequently, equally accessible to deaf and hearing people.