Chez Maurice
Philharmonie de Paris, Le Studio (Paris)
After their acclaimed musical journeys Berberio on Berio and 3ACH on Bach, the chamber ensemble Revue Blanche and Zonzo Compagnie team up again for a new show, this time on Ravel.
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Concerts featuring Lore Binon in season 2024/25 or later
After their acclaimed musical journeys Berberio on Berio and 3ACH on Bach, the chamber ensemble Revue Blanche and Zonzo Compagnie team up again for a new show, this time on Ravel.
After their acclaimed musical journeys Berberio on Berio and 3ACH on Bach, the chamber ensemble Revue Blanche and Zonzo Compagnie team up again for a new show, this time on Ravel.
What would happen if humanity could pass through the gateway to the underworld and restart once again in another realm? Eva Reiter’s experimental opera »The Rise«, written on the basis of poems by the Nobel Prize Winner for Literature Louise Glück and staged by choreographer Michiel Vandeveldes, acts out this vision. Deaf actor Ruben Grandits, whose gestures are converted into intoxicating sounds via sensors on his hands, acts in the spotlight. As master of ceremonies, he directs the other people on the stage with his gestures and sounds. A new language, a new company and a new music emerge in the interaction of instruments specifically built for this purpose, electronically transformed sounds and the movements of the performers. The specially designed instruments visually transform movement into sounds. Music, dance and language merge into image and sound – »The Rise« is, consequently, equally accessible to deaf and hearing people.
What would happen if humanity could pass through the gateway to the underworld and restart once again in another realm? Eva Reiter’s experimental opera »The Rise«, written on the basis of poems by the Nobel Prize Winner for Literature Louise Glück and staged by choreographer Michiel Vandeveldes, acts out this vision. Deaf actor Ruben Grandits, whose gestures are converted into intoxicating sounds via sensors on his hands, acts in the spotlight. As master of ceremonies, he directs the other people on the stage with his gestures and sounds. A new language, a new company and a new music emerge in the interaction of instruments specifically built for this purpose, electronically transformed sounds and the movements of the performers. The specially designed instruments visually transform movement into sounds. Music, dance and language merge into image and sound – »The Rise« is, consequently, equally accessible to deaf and hearing people.